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One of the things I enjoyed the most was a very short, but beautiful section involving a puppet theatre where most aspect of the game seems to come together and give you a glimpse of how good the game could have been. At its best it feels like it could have been taken from a movie, if you omit certain things.

Presentation Out of all the Lords of Shadow games this is the one with the best visuals, the textures, the light, the shadow, it all works quiet well together, and this gets accentuated in a lot of cutscenes. But that does not mean that I think the story was told properly, overall, I am rather disappointed. I certainly like a number of things that happen, I think a lot of the cutscenes have nice perspectives, there are some cool callbacks to previous games, and I did find myself caring about what happened, despite the corny dialogue.

This, the constant interruption of cutscenes, and certain gameplay elements removes any sense of urgency, and ruins the pace of the game. You will be spending hours in the City on one objective only for the game to abruptly force you into Dracula’s Castle to deal with something else, typically rewarding you with an item you need to progress. Both of these are fine on their own but prefer one of these over the other, however, the way the two of them are handled together cheapens both of them. This is the main conflict within the game, Satan versus Dracula, but there is also the struggle between Dracula and Gabriel Belmont. Stop Satan’s return and be free from immortality. Story Many years have passed since Mirror of Fate, and Dracula has now woken up in the future, the year is in the late 2050s, and his old friend offers a deal.

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